Letterboxd - Demi Adejuyigbe
how come this episode of Goosebumps wasn't just 30 minutes like the other ones
Sun, 3 Feb 2019 08:32:46 +1300
Brandon Scott-Jones and Betty Gilpan are absolute stars. Bowen Yang and Sandy Honig are underutilized treasures. The rest of this movie is not for me!
Wed, 30 Jan 2019 08:58:55 +1300
Max Irons looks like Peter Kavinsky and Ryan Atwood had a kid
Wed, 30 Jan 2019 08:52:06 +1300
Goddamn, I love this movie. A perfect pastiche.
Mon, 28 Jan 2019 20:08:16 +1300
steven knight finishing this screenplay: media.giphy.com/media/bLVNvzX4k8R5S/giphy.gif
Sun, 27 Jan 2019 20:02:33 +1300
can god forgive us for not nominating ethan hawke's performance?
i'm absolutely not doing it but just know that a big part of me wanted to write a will smith rap to this song over a remix of "are you washed in the blood"
Sat, 26 Jan 2019 09:08:49 +1300
Watched this one for a friend’s podcast. Even with a lot of stuff that doesn’t hold up to time (transphobic satire, rape gags, unnecessary blackface) this movie is still phenomenal. The entire second half of this movie is unimpeachable.
Tue, 22 Jan 2019 19:06:20 +1300
We got bored and a bit disillusioned/confused with what parts of the movie were meant to be satirical and which were meant in earnest, so we gave up with 40 minutes left. The commitment to the 60s technicolor style is admirable and wonderful in how it looks, but really frustrating in how poor the acting is as a result. Not for me!
Tue, 8 Jan 2019 13:17:19 +1300
Hell yes. Hell fucking yes.
I can’t remember the last time I was all-in on a movie so quickly. From the first scene I loved it, but it managed to get in the thick of the plot after a cool 10 minutes. The style and pacing of this movie from the beginning are so absolutely my shit, and it brilliantly manages to turn a low-key location into something thrilling. I loved it. So fun, so cool, such charismatic and interesting characters. It feels a little overlong near the end, but I was still all-in through the credits.
This movie is surely gonna be remade in America and I already shudder to think of how they’re gonna absolutely wreck it.
Tue, 8 Jan 2019 09:36:32 +1300
(i wouldn’t call this description a spoiler but it’s pretty specific about a single scene in the movie, so reader beware)
There’s a scene where Minnie is fooling around with Monroe and she playfully yells “help I’m being raped!” in earshot of an open door where a sailor is standing guard nearby. Even though it plays as a joke you expect someone to come to her rescue, and to have a scene where Monroe freaks out or where Minnie is forced to convince her “rescuer” that she was just joking. That moment never comes. Instead, we get a shot a few seconds later of the sailor as he’s passed out on the dock, and the moment is very effective in saying something– no one is looking out for teenage girls.
I’m not sure that’s the chief message of this movie there’s also a lot of curious and condescension/judgment-free exploration of teenage female sexuality that I found really interesting and refreshing to see displayed so openly at the center of a movie. I also love that it doesn’t use dramatic irony to try and make any jokes at the expense of Minnie or paint her as naive, which seems like a very easy move for this kind of story. But that doesn’t mean the other message isn’t there.
I could see this film becoming a cult classic, especially if Marielle Heller starts to get her due after Can You Ever Forgive Me? takes flight. Also, Christopher Meloni’s role is very funny.
Tue, 8 Jan 2019 09:29:13 +1300
(this is my reaction to a) gyllenhaal/villenueve giving us this and Prisoners in the same year b) neither of them getting Oscars recognition for either c) the ending)
Tue, 8 Jan 2019 09:21:57 +1300
A lot of the dynamics were unclear to me for so much of the movie, but the final five minutes are stunning and tense.
Sat, 5 Jan 2019 07:13:05 +1300
What can I say about "New In Town" that hasn't already been said by my entire being acting as a billboard for his work? I couldn't possibly count how many times I've seen this special or showed it to people, but fuck, in college alone it was double digits. I love it. I love John Mulaney.
Fri, 4 Jan 2019 07:37:48 +1300
Daryl Kerrigan is maybe the best movie father of all-time. A sweet, loving, friendly, warm, optimistic, perfectly paternal hug of a man. This movie is wildly quotable and charming, and even though some of it is laughably bad, it's such a fun watch. And SO Australian.
"How's the serenity?"
"That's going straight into the pool room."
Fri, 4 Jan 2019 07:35:16 +1300
This review may contain spoilers.
Definitely enjoyed this movie more on a rewatch. Here are only some of the exhaustive notes I took during my rewatch.
• The noose foreshadowing outside the bar is hilariously unsubtle. And wow– everybody told me the bar they meet at was The Virgil (a bar in Silverlake that i have been to countless times) but it’s very funny how clear that is now that I know it. They also fall in love at the Super A Foods in Highland Park that is right outside of my friend’s place! This is as close to telling us this movie where this movie is that we’ll ever get!
• Fuck... I forgot how much the first half-hour of this movie totally rules. Why does it make me mad that Bradley Cooper really fucking killed this on every front. (Except for the editing, which i maintain is visibly bad at multiple points! nitpick!)
• The way Cooper’s green eyes are so visibly bright in the dressing room scene is such a standout detail, and it really makes you swoon for him. Fantastic.
• You know how they let the music swell and go into a delicate, slow close-up shot a few times in the movie? Really works for the bar scene of him tracing her nose. Does not work for the ring scene. (Probably the worst scene in the movie if you ask me)
• I paused during the parking lot scene to read the screenplay because the way characters keep talking over each other felt so naturalistic and well-done, I wanted to know how it was written out, and it’s shocking how much of the interrupting dialogue/changing the subject is completely delivered as it is in the script. I hate to say it but if Cooper wins best director, he’d probably deserve it. (also, it would probably confirm that Cooper is one of the most classically-talented actor working today, for his versatility in roles and his ability to write and direct the fuck out of a movie.)
• I know it’s not supposed to be Cooper’s movie at all but he’s the more captivating one!!!!! Which is a flaw of the movie (it ain’t called A Star Dies, folks!!) but it feels like there would be so little "new" stuff to say if it was truly Ally's movie.
• If the internet hadn’t ruined “I just wanted to take another look at you” that would’ve been an extremely corny move that played as incredibly charming. Good scene!!! Also don’t know why the internet meme’d Gail. Nothing weird about that moment.
• Andrew Dice Clay's embarrassing dad role is an all-timer.
• Props to Greg Grunberg for making an entire career out of being friends with everybody so he can pop up in massive films and make audiences go “Wh- wait how do i know this guy”
• Wait– Did Jackson charter a second plane just for Ally? Even though she might have not come? And she made it JUST in time? That’s nuts. This entire scenario is nuts, and suggests a level of wealth that Jackson never really shows otherwise!
• How was "Shallow" done and ready to be performed... with the entire band.... so quickly
• This is a drum I’ve been beating for months now but I can’t believe the next Oscar winner for Best Original Song is an extremely paint-by-numbers song whose first lyrics are “Tell me something girl / Are you happy in this modern world.” In a movie with some pretty good songs, I think "Shallow" is the most boring, generic of them? Frankly, the scene of them singing "Shallow" is where the movie starts to feel less brilliant to me. ("Always Remember Us This Way" is a stunner, and "I'll Never Love Again" is of course, a fantastic Whitney Houston discard.) Also– kind of wish "Shallow" sounded more imperfect in that performance! She’s having all these reactions to performing it live, but none of those reactions are clear in the actual... sound of the performance.
• The sex scene... is so short, but it feels so real. It's great.
• Sorry, but “You’re Music To My Eyes” sounds like a song from Walk Hard.
• “That’s my songbook. I usually use a typewriter–” What???
• I think the confusing thing to me with her music is that the pop turn is not bad, it’s just different. (The screenplay even supports this– during her SNL performance, it says "She is the definition of a pop star. The song: vibrant, electric, catchy as all hell, and completely unrecognizable to Jack.") It doesn’t feel like a soulless, industry-designed act, so she's just a different performer altogether and I’m not sure what the progression means.
• I was critical of the medium-close up look covering this entire movie on my first watch, but the shallow depth of field and brightness of these scenes look so damn good. I was wrong. Movie looks fantastic. Shout out to DP Matthew Libatique (who also shot Venom, which came out the same weekend. Weird weekend for Matthew!)
• This is my second time watching the movie and I still went “Eddie Griffin????”
• The Ally billboard is hilarious. Why do they go to such LENGTHS to never tell us her last name? (The script says “Campana.” The movie never does.)
• “You. SNL. Alec Baldwin hosting. Season finale.” “You’ve just been nominated for three Grammys.” Ever since I saw the movie I haven't doing an impression of these lines. And how are these things possible? How is her billboard possible? Didn't they say she's put out one song and hasn't finished her album yet? What is the fucking timeline of this movie?
• Wonder if any of this was inspired by Blake Shelton and Gwen Stefani. Probably not. Actually, almost definitely not. I don't have to write down every thought that goes through my head.
• Scene of Ally and Jack in rehab is outstanding. Maybe my favorite scene in the movie.
• She’s playing The Forum??????????? This is the most meteoric rise to stardom that I have ever seen.
• That final cut to them at the piano... absolutely devastating. Brilliant. A phenomenal ending. And nothing takes the wind out of that ending more than seeing “Produced by Todd Philips” shortly afterwards.
Fri, 4 Jan 2019 07:11:56 +1300
Can't tell what's more embarrassing, that the 2018 ensemble comedy TAG was, by choice, the first film I watched in 2019, or that I actually enjoyed the 2018 ensemble comedy TAG.
I watched this on a plane and they'd censored so much of the swearing which was fun to realize and try to sort out mentally, but through the "motherfucker" for "rubber chucker" find-and-replaces (no, really) I could still tell that this had the fatal flaw of all big studio comedies in which they decide the funniest possible joke to fall back on in any solution is dick stuff and jerking off. Lazy!
Despite that? I really enjoyed Isla Fisher and Jake Johnson in this. I think Jon Hamm was a weird choice, but does a fine job. Hannibal is given very little to do but still manages to make me laugh, and I earnestly liked the ending.
All y'all who think this is in the same league as Game Night though? You're fucking nuts.
Wed, 2 Jan 2019 07:25:27 +1300
Something about this film completely gripped me even as I slowly realized it was moving towards a climax that I would have to read up on. And thank god I did, because my natural heart feeling of "this movie is fantastic" was completely unsupported by brain not understanding what I'm supposed to get from the ending– but reading other Letterboxd users' interpretation of it (notably as a balance of the hope and despair that has been a through-line in the entire movie) and this Vulture article on the final moments helped me come to understand it. And my heart was right. This film is fantastic. I'm glad that it was the final film I watched in 2018.
Wed, 2 Jan 2019 07:17:02 +1300
Have extremely mixed (and maybe even negative) feelings about the ending, but I loved this movie. The hands up game scene made me smile so fucking big, as did the last shot before the credits. A very sweet, emotional, and hilarious film.
Tue, 1 Jan 2019 11:24:22 +1300
“What’s wrong with you isn’t what’s wrong with me. I know you’d stay if you could.”
I knew this movie was going to break me when I almost cried during the scene of Ben Foster taking that test.
Tue, 1 Jan 2019 11:15:42 +1300
The scene where Brady trains a horse is the turning point of the film into something i was enjoying watching. Brady’s giant smile when he’s with a recovering Lane is one of the most heartwarming shots of the entire year, and the scene that follows that one is one of the saddest.
Tue, 1 Jan 2019 11:12:40 +1300
Sun, 30 Dec 2018 04:36:16 +1300
Heart-pounding, gruesome, punishing. And with absolutely no catharsis to be had in the titular “revenge.” Shit just gets worse and worse for Jen until it gets not better, but “done.” What a miserable fucking watch.
Sat, 29 Dec 2018 10:08:17 +1300
i got chills every time they cut to Mary looking at Freddie in the final Live Aid performance (which was way too long) but I still cannot believe this absolutely boilerplate nonsense exists in a universe where Walk Hard was released 11 years ago
Sat, 29 Dec 2018 04:10:19 +1300
Wow, Steve-O makes for a pretty menacing villain in this Netflix original miniseries!
Fri, 28 Dec 2018 19:07:07 +1300
a series of notes i took during the 2018 film Aquaman:
• james wan is such a good action/vfx director
• the only two good fight scenes go to nicole kidman and amber heard, but just like all the other fight scenes, they are shot like the 4D harry potter ride at universal studios for some reason
• this script is... very bad
• the world of atlantis is fucking gorgeous
• jason momoa plays aquaman like a cartoon character for some reason, which would maybe be charming if everyone else wasn't playing it like shakespeare
• there’s this dumb vocal effect on all the underwater dialogue that would make sense if there were one or two scenes underwater, but when the entire thing is underwater it’s distracting as hell
• out of every superhero movie i've ever seen, there hasn't been a moment that has complicated the rules of the world more than the moment where our heroes jump out of a plane and skydive straight into the desert sand miles below without feeling any pain whatsoever
• the underwater hair effects are cool as hell!!!!
• fewer things have been more ruinous to big budget film than iron man convincing the world that the secret to a good superhero movie is constant wisecracks and one-liners. it absolutely sucks. let emotional moments land, let fight scenes feel like they have actual stakes, let your audience go five minutes without being reminded that your characters have a fucking sense of humor. people are being murdered for fuck’s sake
• ....why did aquaman and mera ever need a boat
• ok the sequence of them going into the kingdom of the trench? absolutely cool as fuck. i watched that shit twice
• aquaman, destroyer, and boy erased. this is the weirdest fucking year for nicole kidman
• i cannot believe jason momoa spends this entire fucking movie wearing a tunic and some god awful loose khaki beach bum pants
• julie andrews??????????????
• aquaman's king outfit looks fucking hilarious. the phrase "is this your king" popped into my brain almost reflexively
• this movie is clearly built to be a video game, so congratulations to the developers of the inevitable video game on landing an easy job
• there is not one dramatic moment of this movie that works, but patrick wilson saying “call me… ocean master” is maybe the one that works the least
all in all, i give aquaman a "this is a movie" out of five stars
Fri, 28 Dec 2018 01:51:53 +1300
robert duvall's first scene is him doing a tight five about how back in his day a 'facebook' wasn't on a computer and this movie STILL rules
Mon, 24 Dec 2018 00:56:00 +1300
i did not hate this movie as much as i thought i would! the entire ending is hokey garbage and there’s one scene with a cop that is so unnecessary it makes me think they took reshoot notes from an all-cop screening, but ali and mortensen are giving terrific performances. there’s little moments where the story becomes about how the two main characters have different approaches to prejudice based on their histories with it, and while it’s not handled at all subtly, i liked it. it reminded me of Blindspotting. you know, if Blindspotting was just the Stevie Wonder/Paul McCartney “Ebony & Ivory” collab instead of a great movie.
Sun, 23 Dec 2018 00:15:53 +1300
Sat, 22 Dec 2018 23:58:05 +1300
Truly delightful! I did not like it much until the Dancing Queen scene, and then something about seeing Meryl have such unabashed fun made me smile. And oh, there’s a sequel? And Meryl’s right there in the cover! Well I’m sold, can’t wait to see her have a ton of fun in another installment of the Mamma Mia franchise!
Sat, 22 Dec 2018 23:56:17 +1300
my THE GET DOWN-stanning ass almost jumped up and clapped about 20 minutes in when i realized i was watching a Shameik Moore-led montage set to The Incredible Bongo Band’s “Apache”
Wed, 19 Dec 2018 20:37:21 +1300
i like this movie so much that i had friends over to watch it and got unreasonably upset because they were having fun riffing and enjoying each other’s company over it
Wed, 19 Dec 2018 05:23:34 +1300
Started joking about this movie at a party so we put it on and had a blast shit talking it the whole time. And for that, I can give it exactly one star.
Mon, 17 Dec 2018 21:03:36 +1300
I love Adam McKay’s directorial style so goddamn much I don’t even care that he has no interest in subtlety. But honestly, maybe this movie doesn’t need it. Because by the final 20 minutes or so, everything has been so spelled out for the audience that there’s no room left for uncertainty, and every single person will walk out of the theater angry at the people who deserve it.
The final scene of the movie is... a bit confusing in what it’s meant to do. And the script is underwhelming in large points. And (I can’t believe I’m saying this) but you never understand the motivation behind Dick Cheney’s character. But this movie is meant to raise hell, and by god I hope it does.
EDIT: uh Jesus Christ i did not realize there was a mid credits scene that i left before. i just read a synopsis and... everyone who didn’t like the movie was probably right
Wed, 12 Dec 2018 19:01:49 +1300
If only there were a Turkish word for a movie that makes you feel a deep appreciative love for an animal you only kind of liked, but also convinces you that one of the things you love about them is a trait that applies to their playful sense of community that you wouldn't get to capture if you were taking care of them, and therefore you come to terms with the fact that you can't ever truly be happy taking care of one even though they're much easier to take care of than a dog.
Fri, 7 Dec 2018 21:30:00 +1300
This movie is flawed in so many ways. There's a sequence that was clearly only inserted into the film as a way to get a certain actor into the movie. The drama of the climax is undercut by a crazy obvious solution that should have been everybody's first thought. The very first accent/voice you hear in the movie, although purposeful (I know, I know, Dick Van Dyke did it) does NOT inspire confidence.
All of that said, this is currently my favorite movie of the year.
I don't know what to say. There's no other movie that has swept me up in a pure sense of wonder and joy like this movie did. The animation, the musical sequences, the dancing, the pure exuberance that is flying off the screen, it brought me to tears. Next to my coworkers. I held myself back from clapping after four different musical sequences in some strange basement theater of the Disney Studios. I don't want to spoil any of the specifics behind the things I loved, but all four of those sequences are so different from each other and still so perfect.
Even for those of you who don't like Lin-Manuel Miranda, there's something so (eventually) affable and charming about his character, culminating in two separate moments where you go "oh god... are they really about to do X" and then they do X and X fucking WORKS! I'm disappointed in the lack of a Julie Andrews cameo, but delighted about the silent addition of a cameo near the end (although initially confused, because I couldn't remember if that person was even in the original movie. And then I looked it up, and they weren't. Strange! Wonderful!)
(I can already foresee all your Paddington 2/I, Tonya comments coming in, so I'll just say: YES I liked it more than P2. I recognize that's as close to an "objectively wrong" opinion as I could have, but something in this movie grabbed my heart more than Paddington 2 (a perfect movie) did. I can't and won't compare this to I, Tonya and you're a monster to even ask me to.)
Sat, 1 Dec 2018 08:15:51 +1300
i don’t know. the movie was very good.
Fri, 30 Nov 2018 09:13:17 +1300
I wish I had more to say about Beale Street, but all I can call it is heartbreaking. It filled me with a tension that so many black films fill me with, where I’m waiting for an ultimate, inevitable cruelness to set in, and so paralyzed by that waiting that I watch it more like a horror film. But there is no cruel twist coming. It’s all there from the beginning. And although it is more than anything a story about love and the lengths we go to see that love through, it’s a story about how much longer that length is when your very existence denies you to the right to live a peaceful life.
Every black person born in America was born on Beale Street, born in the black neighborhood of some American city, whether in Jackson, Mississippi, or in Harlem, New York. Beale Street is our legacy.
Sun, 25 Nov 2018 06:38:42 +1300
aka The Wolf of White Street aka The Socialist Network
Sat, 24 Nov 2018 05:19:17 +1300
“Think you can handle having The Incredible Hulk for a dad?”
I’ve always thought drama works best when it’s used as a reprieve from comedy– nothing makes an emotional moment hit harder than having it come when you’ve opened your heart expecting warmth and laughter, and this movie is proof of that. It’s beautiful, nostalgic, wondrous, fun, and funny until it makes you settle into the reality of its characters and breaks your heart. I love this movie so much. Taika Waititi is a gem.
Wed, 21 Nov 2018 10:43:17 +1300
Yoo vs. The Guy She Told Yoo Not To Worry About
Fri, 9 Nov 2018 22:44:24 +1300
Mon, 5 Nov 2018 13:12:21 +1300
I love the Coen Brothers so much and this is the most Coen Brothers movie that could ever be made. Extremely nihilistic, beautiful, funny, sharp, well-directed, even upsetting at times.
It’s also so long. If this were just three or four of the stories, it would easily be my favorite movie of the year. As much as I fully believe it should be a TV series instead of a singular movie, I also think it’s so beautiful that it should be seen in a theater if you can manage it.
Mon, 5 Nov 2018 12:16:14 +1300
I would love to write a long review where I talk about how great the cinematography is and how it leaves you wanting for color but manages to excel in monochrome, how absolutely stunning the sound design is and how fucked it will be that everyone might not see this in a theater, how nice and naturalistic the direction is, how masterful and subtle the long takes in this movie are, how the placid camera movement throughout the third act was a jarring but great decision and how the third act entirely broke me, but writing about all of those things means I’d be overlooking the most critical thing that I need to note: there’s a Mexican Finn Wolfhard now
Sun, 4 Nov 2018 19:03:06 +1300
can't give it a full rating bc i was sleepy and nodded off for minutes at a time in the middle but this movie is so fucking cute and beautiful and i love the wondrous and creative world it takes place in. i'm gonna watch it again, but this time outside of a theater where i won't get overwhelmed and start dozing off (and maybe without dubbing this time, who can say)
Mon, 29 Oct 2018 15:04:43 +1300
this movie is visceral, tense, haunting, nightmarish, beautiful, and goddamn outstanding. the makeup is incredible, the body horror is fascinating, the effects look great (save for one key moment of visual effects.. hmm) the camera movement and choreography are wondrous, tilda delivers MULTIPLE great performances– even the “lack of color” that people were worried about when the trailer first dropped is a non-problem. it’s great. great great. it’s better than the original. i can’t believe the guy that made A Bigger Splash and Call Me By Your Name also had this crazy shit in him.
that said, the one thing Suspiria has in common with those movies, is an incredible A-lister on the soundtrack making incredible music that... doesn’t quite fit the movie. (and radiohead is my favorite band so it PAINS me to say this- again the music still fuckin rules.) there’s really only one scene where it works perfectly (and you’ll know it when you see it) but the scene is so good on its own, it almost doesn’t need thom yorke. holy cow.
this movie is 2 and half hours, directed by a guy whose filmography is often beautiful people just hanging out in Italy (NOT A DISS, I LOVE HIM) and it feels so perfectly paced and kinetic that the runtime never really starts to weigh on you. probably the effect of him directing a movie with an active plot.
GAH i have so much to say that is flying in and out of my mind but i’m sitting in the theater garage and i don’t want my validation to expire. hot damn i loved it
Wed, 24 Oct 2018 18:32:30 +1300
i really dug this movie and the danny mcbride of it all is so clear and so good, but the third act (except for one very satisfying judy greer moment) made me go “yo... what??” like five times. it’s not a bad ending per se, and it’s visually exciting, but it’s so rote and it compleeeetely disregards laurie’s WHOLE DEAL for a very obvious, very frustrating, very dumb “turn.”
that said, i gotta respect dgg for not filling the movie with hackneyed references to the original, except for one scene that, despite being predictable (and almost unsatisfying if it WASN’T there) still works!
Sun, 21 Oct 2018 20:31:02 +1300
i don’t know how but this movie is both extremely dated and bad, and underrated as fuck. the last scene almost ruins it, but it’s still so damn good. it deserves a remake. and i know they’re doing one but i want a crazy, almost artful one. i want Suspiria High.
Sun, 21 Oct 2018 18:18:24 +1300
was not expecting to enjoy this as much as i did! there are some things like the pacing that obviously don’t hold up with time, and i can’t decide if it’s weird or impressive that michael myers doesn’t feel like this invincible hulking mass until the end, but... the tension and the way the camera moves... *chef kiss*
Sun, 21 Oct 2018 17:36:48 +1300
there are gonna be like ten moments in this movie where Amy Sherman-Palladino goes "what the fuck did i dream this"
i liked this movie, and i think i only like it more as i keep thinking about it. it's so calm and easy-going, but still very interesting and... i wanna say "pleasant" but that's not the right word. it was a sad story told pleasantly. it's astounding how melissa mccarthy plays the character a lot like she would in a paul feig movie, but still manages to make lee israel feel like a person that a) isn't there to laugh at, and b) does not feel like you're just watching melissa mccarthy. (tons of credit to marielle heller for that too, of course)
and man, i love richard e. grant here!!!!! best supporting actor!!!!!
Thu, 18 Oct 2018 19:59:15 +1300
[drew goddard watching The Hateful Eight] hahahaha what? no. noooo. no no no no, this is all wrong. it’s fine, i’ll do it myself
Mon, 8 Oct 2018 18:10:55 +1300
movies that my friends tell me "you HAVE to watch" (and im GONNA)
...plus 2 more. View the full list on Letterboxd.
Thu, 31 Jan 2019 07:53:40 +1300
my favorite movie from every year since 1992 (holy shit this was hard)
...plus 17 more. View the full list on Letterboxd.
Sun, 21 Jan 2018 09:40:54 +1300
commence the yelling
...plus 70 more. View the full list on Letterboxd.
Wed, 30 May 2018 09:59:34 +1200
we’re after that same rainbow’s end
...plus 18 more. View the full list on Letterboxd.
Mon, 23 Apr 2018 08:56:44 +1200
inspired by jamie woodham. feel free to yell at me
i bought it because i feel like i'm gonna like this movie but i'm never in the mood to prove it
i don't even know why i own this
someone bought this for me. i haven't seen any of the bond movies before casino royale (i know)
don't remember why i bought this, but it looked fun (and then a girl i dated said it sucks and i lost the spirit)
i've think i might have seen this one, just not all the way through? i'm not sure
a gilmore guys fan sent me this in the mail because i'm a big LCD soundsystem fan and hadn't seen it. i started watching it the night after i last saw them live, but didn't finish it
my best friend loves this movie, but i feel like i'm just gonna go "sure whatever" when it finishes
bought it on a criterion sale bc someone described it in a way that seemed fun, but like all of my criterions, i'm never in a mood to watch a movie that seems "important" so i get scared and leave it alone
bought this bc i love the radiohead song (just kidding. i mean, i do but i don't remember why i bought this or why i haven't watched it)
recommended during the last criterion sale. i keep confusing it with NETWORK in my mind. not a reason not to watch it, just a fun little detail to color your understanding of how bad i am at this
...plus 16 more. View the full list on Letterboxd.
Sat, 14 Apr 2018 20:04:45 +1200
“entire titles” and “comfortably” and "rhythm" being the operative words
...plus 63 more. View the full list on Letterboxd.
Sun, 15 Apr 2018 04:43:59 +1200
my favorite movies of 2018. gotta stress that my choice in "favorite" over "best" was one thousand percent intentional. as you will realize almost immediately, those star ratings don't mean a damn thing now
...plus 19 more. View the full list on Letterboxd.
Mon, 15 Jan 2018 21:02:56 +1300
Last year I saw 29 movies. And I think some of those were even repeats. So to challenge myself this year, I'm going to try and watch 100 movies I haven't seen, where there has to be an actor in common between movies. I started with THE REVENANT, so I've got DiCaprio, Hardy, Gleeson, Poulter, hell even Haas movies to choose from next. But past that, who knows how this will go! I'll update each entry with the actor they have in common. Fingers crossed. Also, I don't know why nothing gets 5/5 stars either!
EDIT: I DID IT! And the order got real fucked up because I didn't keep good track of the movies closer to the end of the list (ended up using Alan Tudyk and Michael Shannon twice) so I just filled in the gaps. The last movie I saw was Fences.
So what did I learn from this? I learned that by gamifying the act of watching movies, you'll start to hate watching movies. I learned that there are a lot of bad movies out there! I learned that good actors are in terrible movies all the time. I learned that Ryan Gosling, Tim Curry, Rebecca Hall, Sally Field, and Susan Sarandon are some of my favorite actors. I learned that watching movies is something I gotta do more often on a whim, and not as a means to an end. I forced myself to watch some terrific films that I might've not seen had I not had a reason- but overall, this challenge was nuts and stupid and uhhh I won't do it again! Happy new year!
(DOMHNALL GLEESON) Really funny, and really sweet. They spend so much time establishing Domhnall Gleeson's character that it feels like they rush through his relationship at one point (a relationship that never falters, by the way) but it still all works! Bill Nighy is beyond delightful.
(MARGOT ROBBIE) Wonderfully directed, wonderfully acted, and completely and totally enraging. For great reason- the story told is meant to frustrate you. It's as much a tale of a big fuck-up as it is a warning that the fuck-up is gonna happen again. The last twenty minutes of the film compelled me to start over and watch the beginning again, and that only frustrated me further. Truly can't recommend enough.
(BRAD PITT) A classic, and with good reason. One of the best road films I've ever seen, both heartwarming and heartbreaking, a powerful and fun movie.
(GEENA DAVIS) Honestly, I didn't love it? It was fun, and clearly inventive- a movie that wouldn't be made as whimsically today, but it felt like there were a few strings missing for what I expected it to be. All of the "classic" scenes fell flat to me. VERY surprised at how little Keaton is actually in this movie! Like he doesn't even show up until halfway. I think I need to watch this again.
(MICHAEL KEATON) Incredible. Worth every Oscar nomination.
(BILLY CRUDUP) God, what a sweet movie. My favorite Burton flick by far. I have a real desire to rewatch this one.
(MISSI PYLE) What was I doing that I hadn't watched this movie until now? I think I'd seen it in parts on TV, but never in full. My mistake. It's so good.
(SIGOURNEY WEAVER) Sigourney Weaver is the absolute MVP of this movie. Melanie Griffith is MVP runner-up in case of injury.
(HARRISON FORD) It's so cool to watch this movie and see its direct lineage to at least 3 other Tommy Lee Jones movies. He deserved that Oscar. TLJ's version of a US Marshal was as distinctive, in its finding a way to play an archetype differently and with personality, as Ledger's Joker. The ending was also very funny having seen Mulaney's Comeback Kid special four times.
...plus 92 more. View the full list on Letterboxd.
Tue, 5 Jan 2016 11:17:35 +1300
Page created: Fri, Feb 15, 2019 - 09:00 PM GMT